Category: horror

  • Horror Cinema: They Look Like People

    At face value, They Look Like People was not my kind of horror movie. I am skeptical of horror narratives that rely on mental instability or illness, and casts of characters made of mostly men do not interest me. I went into it with an open mind, and I am glad I did. Funnily, what I appreciated most about the film was its sensitive and thoughtful takes on mental illness, masculinity and friendship between men.

    When I finished the movie, I felt like it was more of a drama than a horror movie, but I could not discount that it was scary, so I was still satisfied that it was a horror movie. Its strength was its characters, who, to me, were sympathetic men seeking to live up to personal and social expectations of what a man should be. As a horror movie, its surreal moments of the mental instability of one of the characters contrasted against the sympathy I felt for the other characters made it scary to think that the mentally unstable character would hurt them. A slow burn, but worth it.

    Blackshear, Perry. They Look Like People, 2015.

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  • Horror Cinema: Haunting of the Queen Mary

    I watched a trailer for Haunting of the Queen Mary with my Dad, and although he was not interested in seeing a horror movie, he was keen to note that my grandfather rode the Queen Mary during World War Two. The boat is now docked and is a museum that he had visited.

    On my own time, I watched the movie, looking forward to seeing if my historical connection to the ship would come up in the story. It didn’t.

    I can’t say that I disliked the movie, but I found it unnecessarily weird in parts, and it told multiple narratives that made it frantic at times. In addition to the ghosts and the spirit of the ship, which could have been done more fully, like including a storyline about being a naval ship, there were storylines about a boy’s soul getting stolen and the parents getting caught up in a chase from a murderer overnight on the ship. The jump from the paranormal to fantasy and murder was odd.

    Aside from the movie’s issue with its mix of genres, it did do a good job of moving back and forth from a historical narrative to the ghosts in the modern narrative, and I would recommend it for that portion of the film. I would also recommend it for its beautiful historical sets.

    Shore, Gary. Haunting of the Queen Mary, Vertigo Films, 2023.

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  • Horror Decor: Tales From the Crypt Bookends

    I love these EC Comics Tales From the Crypt bookends from Dark Horse Direct!

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  • Horror Junior: Return to Oz

    I was a child of the 1980s, and I first saw Return to Oz on a Sunday night as the weekly Disney family movie. I was excited to see it as a sequel to The Wizard of Oz, but I was not expecting it to be so scary. The witch with the replaceable heads was freaky and surreal, and I loved it. I had never seen anything like it.

    I rewatched the film this past week for nostalgia, not thinking it would be as intense as I remembered. Oh, no. It was intense. The movie began with poor little Dorothy narrowly escaping electro-shock therapy to discourage her imagination. It was terrifying.

    The other frightening scenes were equally as scary today. I liked the story of this movie more than The Wizard of Oz, both then and now. Also, as an adult, I have read L. Frank Baum books from the Oz series, and I better appreciate how Return to Oz captured the threatening and sinister tone of his storytelling.

    Murch, Walter. Return to Oz, Buena Vista Distribution, 1985.

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  • Horror Cinema: The Bye Bye Man

    The premise of The Bye Bye Man is similar to Candy Man, where saying a villain’s name makes him appear. For this reason, I went into the movie with low expectations. I was happily surprised to discover a movie with spooky ghost scares and dramatic mental instability between characters that was shocking at times.

    One scene in particular that had a lasting impression was when the protagonist defiantly drove headlong into what he thought was an illusion. I was really rooting for him to overcome the insane hallucinations caused by the villain, but the result turned out to make me feel awful in a way that I want a horror movie to make me feel.

    Image from Basement Rejects

    The movie had a great sorority-slasher feel mixed with ghostly jump scares. The narrative kept me captivated, and I was impressed by this gem.

    Title, Stacy. The Bye Bye Man, STX Entertainment, 2017.

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  • Horror Comedy Trivia: High Spirits

    I am a long-time devoted fan of High Spirits. I can’t count the times I have watched it throughout my life. It is one of those movies I go to when I need cheering up, and it stands up as a great and perfectly silly movie each time I watch it every decade I grow older.

    I learned from IMDb Trivia that writer and director Neil Jordan maintained that the released version of the film was very different from the one that he shot. He was more or less excluded from the editing process of the final cut. He insists that his version is still locked away in a vault.

    I am not sure how I would react to seeing the director’s cut of High Spirits, but I would be curious to find out! I hope that version still exists somewhere to be shared one day.

    Image from Film on Paper
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  • Horror Cinema: Terrifier 2

    While I am a fan of gore, I found Terrifier 2 intense. Its saving grace and what kept me watching it through the most shocking scenes was its campiness. The clown villain’s playfulness and silliness during gross moments made the violence comical, like life is a sick joke, which I can relate to. I enjoyed Terrifier, and I found its sequel to be a great addition to the franchise. It not only brought the senseless gore that made the first movie good, but it went further with a creepy new character and scenes of purely senseless gore — scenes that were only added to the narrative to show the wildest kills. Not a horror movie for a weak stomach!

    Leone, Damien. Terrifier 2, Bloody Disgusting, 2022.

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  • Horror Cinema: Our House

    Ghost stories are my favorite, and I was excited to discover Our House, a full-on supernatural, ghost-story movie. While I love ghost stories, a good one is difficult to find, and I was impressed by this one. The incorporation of the ghosts into the narrative was natural and sympathetic at first, and their slow growth into sinister forces was suspenseful and interesting. A solid take on a ghost story and a good movie!

    Scott Burns, Anthony. Our House, IFC Midnight / Elevation Pictures, 2018.

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