I have a copy of one of these ghost stories, and I love it! A great gift idea for any fan of the literary paranormal.
From Click Americana
I discovered the 1977 horror movie The Sentinel on late night tv as a teenager of the 90s. With its mix of ghosts and strangeness—like the birthday party for a cat—I was hooked. By the time I saw The Sentinel, I was already a fan of Rosemary’s Baby and the 1930s movie Freaks, so, when the movie ended with the heroine being forced into the role of the sentinel after being groomed for it like Rosemary as the mother of the anti-christ along with actors with deformities crowding the halls as the denizons of Hell, I knew that this movie would be a personal favorite. Over the years, I have revisited The Sentinel, and I always enjoy its quirkiness and creepiness.
Researching trivia on the movie, I was surprised to learn that it was fraught with problems. The story’s writer, Jeffrey Konvitz, did not like the director, Michael Winner, or what Winner did with the casting or film. Konvitz commented that Winner was “too pedestrian a director” to make the film a good horror movie like The Omen and called him an egomaniacal maniac in a bluray commentary. Konvitz did not like that the protagonist looked different than the protagonist from his story, and he would have cast an unknown in the part who looked more like the story’s character.
Winner himself was not happy with the casting. He originally wanted Martin Sheen to play the male lead, but he was told that Sheen was a “tv name,” so he could not cast him. The producer wanted Chris Sarandon because he had recently been nominated for an Oscar.
For how much I love this movie, I was also surprised to find out that it is not a popular film. In fact, most people hate it.
Despite its problems, The Sentinel tells a great ghost story with that slower pace common of 70s movies that builds toward a creepy ending.
Winner, Michael. The Sentinel, Universal Pictures, 1977.
Behind-the-scenes facts from IMDb Trivia: The Sentinel (1977).
Full disclosure: I love Zak Bagans and Ghost Adventures.
The host, Zak, is endearing and kind to others but becomes angry and dramatic around ghosts and ghost activity. I live for ghosts caught on camera, and the show has some of the best audio and video recordings that send chills up my spine. I also like that the episodes are thoughtful in their storytelling about the locations they visit, with their mix of spookiness and a reverence for the past and the spirit world.
Watching the movie Grave Encounters, I was immediately connected to the characters because they were a parody of the Ghost Adventures crew, and I felt like I already knew who they were. I love jump scares and all things ghosts, so I truly enjoyed the movie. I was particularly surprised by the turn of events in the last quarter. It was not what I was expecting, but it was everything I never knew I wanted! Grave Encounters is one of a few horror movies that I liked from beginning to end, and on multiple viewings.
A sequel was made that I did not like as much, but I would recommend it for the purists who want to see it for themselves.
The Vicious Brothers. Grave Encounters, Tribeca Film, 2011.
Images and captions from an interesting and detailed article on spiritualism from Collectors Weekly, Ghosts in the Machines: The Devices and Daring Mediums That Spoke for the Dead.
A ghostly female figure floats in the night, one arm wrapped around the chimney of a locomotive, as she points forward and leads the way for the figures of Time and Death following in her wake.
Built somewhere between the 13th and late 15th century, this Irish castle has seen more gruesome deaths than a Game of Thrones wedding. As legend has it, during a struggle for power within the O’Carroll clan (which had a fondness for poisoning dinner guests), one brother plunged a sword into another, a priest, as he was holding mass in the castle’s chapel. The room is now called “The Bloody Chapel,” and the priest is said to haunt the church at night. And the horror doesn’t end there. During castle renovations in the early 1900s, workmen found a secret dungeon in the Bloody Chapel with so many human skeletons, they filled three cartloads when hauled away. The dungeon was designed so that prisoners would fall through a trap door, have their lungs punctured by wooded spikes on the ground, and die a slow, horrific death within earshot of the sinister clan members above.