I waited for years before finally seeing Nobuhiko Obayashi’s House, and I think the excitement and expectations were too high for what the movie ended up being. I was expecting a mix between Dario Argento’s Suspiria and Tim Burton’s early 1980s Hansel and Gretel, which were both great and far superior than House. The majority of the good scenes were all in the trailer, except for my favourite, which was the eye in the mouth.
I guess I should have done more research into this movie other than watching trailers and hearing about how great it was from friends and family. Warning to those who have yet to see this, expect something more light-hearted with a light plot.
I was mesmerized by Kōji Shiraishi’s 2005 Noroi: The Curse from beginning to end. Told through a compilation of television shows and interviews and documentary-style footage, it tells a spooky ghost story in a very modern way.
Shiraishi, Kōji. Noroi: The Curse, Xanadeux Company (Production Company), 2005.
In 1986, Olivia Hussey met producers for the film Roxanne (1987), since they were interested in casting her for the title role. Roxanne co-star Steve Martin met her and said, “Oh my God, Olivia, you were in one of my all-time favorite films.” Thinking it was Romeo and Juliet (1968), Olivia was surprised to find out it was actually Black Christmas (1974). Steve Martin claimed he had seen it around 27 times.
Wes Craven’s Deadly Friend was the first horror movie that I watched as a kid from beginning to end. I might have been eight or nine. I vividly remember choosing the movie at the video store and feeling so daring to be choosing a horror movie. I’m not sure, but I think I was with my older brother or a babysitter because I don’t think either of my parents would have allowed me to watch it.
The basketball stood out as the part of the movie I would never forget. The actress who played the undead main character, Kristy Swanson, said that she had probably thrown the basketball over a hundred times during the re-shoot filming of Elvira’s death scene. She said, “Wes Craven kept at me to throw it as hard as I could to indicate great speed. I must have tossed that ball a hundred times. My arm sure felt I did.” She also said in an interview with Maxim magazine in May 2000 that the fake head was stuffed with actual cow brains that the production crew picked up from a butcher shop.