When Mel Brooks was preparing for this film, he discovered that Ken Strickfaden, who had made the elaborate electrical machinery for the lab sequences in the Universal Frankenstein films, was still alive and living in the Los Angeles area. Brooks visited Strickfaden and found that he had stored all the equipment in his garage. Brooks made a deal to rent the equipment and gave Strickfaden the screen credit he did not receive for the original films.
Find more behind-the-scenes facts at IMDb Trivia: Young Frankenstein (1974).
I waited for years before finally seeing Nobuhiko Obayashi’s House, and I think the excitement and expectations were too high for what the movie ended up being. I was expecting a mix between Dario Argento’s Suspiria and Tim Burton’s early 1980s Hansel and Gretel, which were both great and far superior than House. The majority of the good scenes were all in the trailer, except for my favourite, which was the eye in the mouth.
I guess I should have done more research into this movie other than watching trailers and hearing about how great it was from friends and family. Warning to those who have yet to see this, expect something more light-hearted with a light plot.
Obayashi, Nobuhiko. House, Toho, 1977.
They gave him the cold shoulder.