One of my favourite legendary witches is Baba Yaga. To me, she’s an old lady who wanders the forest looking for children to eat. Growing up, I used to hang out a lot in forests, so it creeps me out to imagine coming across an old lady amongst the trees appearing wise but ready to eat me.
Visit OldRussia.net to learn a more accurate picture of Russia’s legendary Baba Yaga.
Searching for scary Japanese ghosts, I came across the legend of bakeneko, cats that shape-shift into humans, or near humans. They are tormentors and tricksters.
They appear as a popular monster in kabuki productions, like the one pictured here.
Visit Bakeneko — The Changing Cat on the Hyakumonogatari Kaidankai blog to learn all about this spirit’s origins and some of its stories.
Did you know that in the original screenplay for Child’s Play, Chucky was the manifestation of Andy’s Rage?
The iHorror.com blog explains: “In the original version of the film, Chucky would do Andy’s subconscious bidding. The original idea was to have Good Guy dolls that had latex skin and blood. If the kids ripped the latex skin, they could go out and buy Official Good Guy bandages. Being the lonely kid that he was, Andy would make a blood pact with the doll, and then comes to life whenever he goes to sleep. Chucky would take out anyone Andy saw as an enemy or a threat.”
Read four more facts about the movie on iHorror.com’s 5 Things You Didn’t Know About Child’s Play.
Holland, Tom. Child’s Play. United Artists, 1988.
Leatherface is my favourite horror movie villain. He’s a mad, merciless, messy killer.
Did you know that the real-life killer who inspired The Texas Chainsaw Massacre’s Leatherface, Ed Gein, also inspired two other famous horror movie villains? According to chasingthefrog.com, his crimes also inspired Alfred Hitchcock’s Psycho’s Norman Bates and The Silence of the Lamb’s Buffalo Bill.
Ed Gein (middle) (late 1950s)
Hooper, Tobe. The Texas Chainsaw Massacre, Bryanston Pictures, 1974.
Roman Polanski’s Rosemary’s Baby
When pushed to answer what is my favourite horror movie, I reply, “Rosemary’s Baby.” I’ve watched it nearly once a year since I first saw it as a preteen.
One of the features that I particularly love about horror movies is that, sometimes, the bad guy wins. Growing up, I always wanted to read a comic or see a movie where the bad guy won in the end. It didn’t make sense to me that the hero always had to have the advantage.
After first seeing Rosemary’s Baby, I couldn’t believe what I was seeing in the final scene. It was grotesque and perfect: the Anti-Christ was born healthy and would be loved by his mother in a twisted, Satanic retelling of the immaculate conception.
My other favourite aspect of the movie is the psychological horror. Watching Rosemary unravel the secret that her neighbours are “all of them witches” and to watch her be fed to the wolves by the ones she loved and trusted most is, to me, the scariest possible thing that could happen to someone. It is also something that happens to women all the time, especially in the time that the movie was released. To me, it is an added layer of horror to watch her be treated as a possession knowing that the story is likely familiar to so many of my sisters and foremothers.
Polanski, Roman. Rosemary’s Baby, Paramount Pictures, 1968.
The history of how we visualize Frankenstein is not based on Mary Shelley’s description but on the facial features of Boris Karloff. Learn more on the Horror Movie Maven blog.
At the start of my new horror fan blog, I invoke the blessing of my familiar, a long-haired black cat named Rainy Storms who was loyal to me for 16 years. We had a loving friendship filled with long, non-verbal conversations. I hope this blog is the beginning of fruitful friendships like hers and that it continues, sparks and inspires conversations on the awesomeness of blood, guts and gore!
Here is a clip of a black cat from space that beats the crap out of a dog and does other wondrous and explosive things. Don’t mess with a black cat!