I came across The Turning on Netflix. I enjoyed most of it: the contrast of the modern main character with the older estate and secondary characters; the jump scares with the mannequin; a creepy kid, who is a ghost?
My interest fell off about two thirds through when I lost touch with where the story was going. The main character was going mad and seeing things, and, instead of focusing in on the ghost story as a conclusion, I found that it spiraled out into chaos.
I have never been that impressed by Henry James’s “Turning of the Screw.” I have tried a few times over my lifetime because I love some of his other works, and I love nothing more than a ghost story. When I started this movie, I was hopeful that it would be a fresh take on the story and could change my mind on the source material.
Sigismondi, Floria. The Turning, Universal Pictures, 2020.